This image is subject to copyright and cannot be downloaded or reproduced without written permission.
John B. Yeats (1839-1922) - Self Portrait

Self Portrait

John Butler Yeats (1839 – 1922)

  • Artist
    John Butler Yeats
  • Title
    Self Portrait
  • Date
    1916
  • Dimensions
    26 × 35cm
  • Medium
    Oil on board
  • Collection
    Niland Collection
  • Provenance
    Presented by James A Healy in 1965 (John & Catherine Healy Memorial Collection)
Description

This small oil painting is a preparatory work for John Butler Yeats’s Self-Portrait which he worked on for the last eleven years of his life. It relates to the later and larger Self-Portrait in the Yeats family collection and another version in the National Gallery of Ireland collection, both of which were found in the artist’s studio at the time of his death in 1922. A pencil study for these final oil versions of the Self-Portrait is also in the Niland Collection.

John Butler Yeats travelled with his daughter Lily to New York in 1907 ostensibly for a short visit. After several months Lily returned to Ireland without her father who remained in New York for the rest of his life. Without any regular income the elderly Yeats led a precarious existence and relied on the support and friendship of his admirers in America. John Quinn, the Irish-American lawyer and collector, was undoubtedly the most significant of these. In 1911 he commissioned a Self-Portrait from John B. Yeats and the artist threw himself into the project producing several drawings and oils over the following years.

While the final versions show the artist at his easel in his room at the Petitpas boarding house, this head and shoulders portrait is quite different. Its dramatic composition consists of four quadrants with the head of the artist a fifth and central element. The strong yellow and greens of the upper left section are echoed in the light filled features of the artist who looks directly out of the painting. The gold pin of his necktie breaks up the intense black of the lower half of the composition. The almost abstract qualities of the design reflect Yeats’s exposure to modernist art in New York where he visited the Armory Show in 1913.

Written by Roisin Kennedy

Browse the Collection

Browse by: Image / List

  1. John B. Yeats (1839-1922) - Portrait of Susan Mary (Lily) Yeats as a child
  2. Louis le Brocquy - The Táin - Cúchulainn mounting into his chariot
  3. Jack B. Yeats (1871-1957)-G’Morrow Strawberry
  4. Jack B. Yeats (1871-1957)- Johnny Paterson singing ’Bridget Donoghue’
  5. Sean Keating (1889-1977)- Head of a Boy
  6. Sean Keating (1889-1977)- Old Kitty
  7. Jack B. Yeats (1871-1957)- A Political Meeting (in the West Of Ireland)
  8. Jack B. Yeats (1871-1957)-Red Hanrahan’s Vision
  9. Jack B. Yeats (1871 - 1957) - The Stargazer
  10. Jack B. Yeats (1871 - 1957) - Singing The Minstrel Boy
  11. George William Russell (AE) (1867-1935) - Shining Shallows
  12. John B. Yeats (1839-1922) - Portrait of Susan Mitchell
  13. Jack B. Yeats (1871-1957) - An Island Man
  14. Norah McGuinness - Les Bigoudenes
  15. Jack B. Yeats (1871-1957)- A Sunday Morning in Sligo
  16. Jack B. Yeats (1871-1957)- The Car is at the door
  17. Kathy Prendergast (b.1958) - Untitled
  18. Jack B. Yeats (1871 - 1957) - Communicating with Prisoners
  19. James McNeill Whistler (1834-1903) - Maunder’s Fishshop, Chelsea
  20. Rita Duffy (b.1959) - Belfast Pieta
  21. Norah McGuinness - Tide Receding, Dublin Bay
  22. John B. Yeats (1839-1922) Portrait of Susan Mary (Lily) Yeats
  23. George William Russell (AE) (1867-1935) - Portrait of Mary Colum
  24. Marie Foley (b. 1959) - To Measure the Immeasurable