5 Mar. 2019

Front of House Assistant

To work closely with The Model’s Front of House team and the Director in order coordinate the Model reception and to aid in the maintenance of a high standard of customer/visitor satisfaction and promotion of all events at the Model. Good communication, organisation and computer skills are key to this role. Candidates should be able to demonstrate an ability to work as part of a team as well as on their own initiative. A background in sales, tourism or a service industry is an advantage, as is an interest in the arts. Training will be provided to the successful candidate.

Duties to include:
• To assist in the management of the reception desk including greeting visitors, answering phones and passing on messages to staff.
• To provide Saturday and Sunday cover for Front of House as needed.
• To sell tickets to all Model events via our online ticketing service
• To coordinate the delivery and to update a programme information folder for Front of House staff each season.
• To develop and foster good relationships with the public and to act as a public face for The Model as required
• To ensure that the public are aware of our friends and patrons scheme
• To ensure that the public are aware of the importance of donations in allowing us to deliver our programme.
• To work as a duty officer for occasional evening performance events including greeting and welcoming artists, monitoring and managing ticket sales, liaising with technical personnel and audiences.
• To input into The Model’s online presence and to assist with updating The Model’s social media platforms.
• To be fully informed about all Model activities and programmes.
• To coordinate mail shots: invitations, events brochures, etc.

• To be responsible for opening and closing the building as needed.

• To assist The Model café staff in the performance of their duties, including taking orders, making coffees and serving and clearing tables.

• To provide general administrative support to the Director as required.

• Other duties as required.

The position is available under the FAS community employment scheme and involves nineteen and a half hours per week. The workweek will regularly include weekends and evenings.
Please submit an up-to-date CV and letter of interest to fionatimoney@themodel.ie by close of business Friday 30 March 2019.
Please confirm your eligibility with your local Intreo Office before applying for this position

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The Model

25 Feb. 2019

Leonard Barry to perform IMA at The Model

Our next Informal Music Afternoon features Leonard Barry and the Uilleann pipes, and also the dance: The Ciaccona or Chaconne – with examples from a variety of composers including Merula, Bertali, Purcell, Marin Marais, Corelli, Lully and Cazzati. Also Nicola Cleary will perform a Corelli violin sonata.

Leonard Barry, from North Kerry but now Sligo-based, is one of Ireland’s finest uilleann pipers. He has played and taught the pipes in the USA, Europe, Asia and Australia. Leonard has worked with many of Ireland’s leading singer songwriters including Luka Bloom and John Spillane. In this IMA Leonard will introduce this fascinating iconic instrument and something of its solo repertoire.

Sligo Baroque Orchestra will explore the dance form, the Chaconne that first appeared at the end of the 16th Century and evolved throughout the baroque era and beyond appearing in trios for the Royal Bedchamber by Lully, in theatre music by Henry Purcell and as the first movement of a Vivaldi concerto.

Nicola Cleary, just back from taking part in Paris-based Orfeo 55’s latest recording, will perform a Corelli violin sonata.

Informal Music Afternoons are the monthly live music event in Sligo for all who enjoy music, offering always an eclectic mix of music in a relaxed cabaret-style setting. Aiming at musical excellence and convention-free accessibility, and the promise that you will hear something new.

Admission is just €5 and children go free

We hope to see you there,

Informal Music Afternoons are produced by Sligo Baroque Orchestra in partnership with the Model and with support from the Arts Council and Sligo County Council.

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The Model

Related Programming

29 Dec. 2018

Exhibition Programme - 2019

The Model Sligo announces a programme of exhibitions for 2019 with a special focus on The Niland Collection as it celebrates the 60th anniversary of its foundation.

On the occasion of the 60th anniversary of The Niland Collection, The Model proudly presents a major exhibition that considers art collections as living repositories of thoughts and ideas. The Keeper; To have and to hold is an ambitious show that features over 150 artworks by 65 Irish and international artists, working across more than 100 years of history reflected in artistic practice.

The exhibition considers why we are drawn to collect, how collections can communicate the concerns of past cultures to contemporary minds, and what can be lost if a collection is dispersed. The Keeper; To have and to hold poses these questions through three distinct strands of inquiry, featuring works that ponder art historical narratives by four distinguished international contemporary artists – Ed Atkins, Susan Hiller, Taus Makhacheva and Elizabeth Price.

Taus Makhacheva, Tightrope, Dagestan, 2015. 58.10 min., video, colour, sound.

Another central element of The Keeper; To have and to hold will take the form of an ‘exhibition within an exhibition’ of the idiosyncratic private collection of curator and collector Jobst Graeve. The Graeve Collection can be viewed through the lens of the Folkwang principle that originated with Karl Ernst Osthaus in early twentieth century Germany, which advocated an approach to the arts as a unified whole, rather than divided into separate disciplines. Graeve’s collection includes the work of a host of Irish and international artists, designers, makers, and performers, many of whom he has had a longstanding relationship with since their early careers.

The final strand of The Keeper; To have and to hold will see The Model present a new large-scale exhibition of The Niland Collection featuring over 100 works in an experimental ‘salon-hang’, which will represent the biggest showcase of The Niland Collection to date and will be on view throughout 2019 and beyond.

The Keeper; To have and to hold opens with a celebratory reception on Sat. 9 Feb. Further details and associated events will be announced in early 2019.

Building on partnerships with The Museum De Buitenplaats, The Goethe Institut Irland, and Cairde Sligo Arts Festival, The Model will also present exhibitions from Torsten Lauschmann, Maria Loboda, and Richard Bolhuis, as well as the open submission show Cairde Visual in 2019.

In April, The Model in partnership with the Museum De Buitenplaats and with the support of the Mondriaan Funds, will present a solo exhibition by visual artist, musician and composer Richard Bolhuis. This unique artist will create original pieces for The Model through an immersive, interdisciplinary ‘total installations’. Composed of paintings, drawings, soundscapes and film-loops, this installation will spread over The Model’s windows, walls, floors and outdoor spaces to create a transformed and immersive audience experience.

The Model is delighted that summer will see the presentation of the third year of our partnership with the Cairde Sligo Arts Festival on their annual open submission exhibition. In August, The Model will present Glasgow-based German artist, Torsten Lauschmann’s first Irish solo exhibition. Lauschmann’s work, notable for its innovative approach, includes photography, sound, video, online projects, performance, and installation.

Made using a range of materials, found objects, and technological processes, his works cannot be categorized and deliberately avoid the notion of a signature style or appearance. Instead, Lauschmann is interested in delving into the fundamentals of life and human nature – resulting in artworks that range from the melancholic, poetic and romantic; to the theoretical and the absurd.

German-born Lauschmann, who now lives and works in Glasgow has received many accolades and awards for his work. In 2003 he was selected for Zenomap, the Scottish Participation at the Venice Biennale and he received a BAFTA nomination for his video work ‘Remember things before they happen’.

In the final exhibition of 2019, The Model welcomes back Polish-born artist Maria Loboda, an outstanding contemporary practitioner with a strong international reputation, who previously participated in The Model’s seminal group exhibition, Psychic Lighthouse, at The Model in 2015.

With delicious anarchy, the work of Maria Loboda investigates the trafficking between the object and the spirit, rationality and magic. Loboda sees reality and the material world as a universe of connected signs and meanings. She investigates the connections between material things, the spiritual realm, rationality and mysticism.

Her solo exhibition at The Model will further pursue her ongoing artistic explorations into the archaic concepts of diverse belief systems, the transcendental ideas of the human soul and the wholeness of their manifestations in arcane objects, archaeology, architecture, religion and art.

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The Model

7 Sep. 2018


Sligo’s classical music organisation Con Brio put on its first classical music concert in 1999 and each year in the past 20 years it has presented concerts by the cream of Irish classical ensembles and soloists.

These have included the Irish Concert, Baroque, and Chamber Orchestras, The Vanbrugh, Contempo and Calling Quartets, Hugh Tinney, Finghin Collins, Catherine Leonard and John O’ Connor. It has also presented a host go highly recommended International artists. In recent years these have included pianists Alessandro Taverna, Nikolay Khozyainov, Joanna McGregor and Nicolay Demindenko,, violist Maxim Rysanov, Emmanuelle Betrand and Pascal Amoyel, Trio di Parma, Chloe Hanslip and Danny Driver, and cellists Leonard Elschbrioch and Marc Coppey.

The 2018/2019 Sligo Music Series will be its twentieth consecutive season and given the calibre of ensembles and musicians taking part it promises to be its best to date.

While Irish musicians will be well represented there will possibly be a greater participation by international musicians than in past Con Brio seasons with cellists featuring prominently. French cellist Marc Coppey is considered to be one of the world’s leading cellists. Since he won the Leipzig Bach Competition in 1988, at the age of 18, he has gone on to forge a stellar international career. He will give a solo recital on October 5th and his programme will include two of Bach’s profound cello suites, number 1 and number 5, together with Kodaly’s Sonata in B minor.

The young German cellist Benedict Kloeckner will perform in a duo with Russian violinist Yury Revich on November 11th and as part of their programme Benedict will perform another of Bach’s cello suites, the number 3 in C major.

The final concert of 2018 features a trio of outstanding British musicians – cellist Natalie Klein, pianist Julius Drake and soprano Claire Booth, while the first concert of 2019 will see a welcome return by one of the Con Brio audience’s favourite ensembles, the Contempo Quartet.

All in all a wonderful season lies in store for the region’s classical music enthusiasts or indeed for anyone interested in hearing some world class classical musicians.

Posted By

The Model

Related Programming

16 Mar. 2018

Cranmore Youth City Print and Zine Project

Earlier this month twenty children aged between 7-11 years of age, together with their parents and local community representatives celebrated the launch of a very special Zine, designed and produced by the children themselves, as part of a collaboration between The Model and artists from PULLED, a collaborative screen print and design studio.

Cranmore Youth City Zine project, facilitated by The Model in partnership with Cranmore Coop, culminated with an exhibition of children and young people’s artwork which is currently on view at The Model, as part of the Sligo Children’s Book Festival 2018.

The selection of artworks brings together a mix of imaginative and inventive printing styles, unique to each young artist’s own creativity. Speaking at the opening, Marie-Louise Blaney, Education Curator said that ”The Model is delighted with the young artists’ work and is proud to have their work on exhibition in the gallery.”

This unique print exhibition showcases over 100 works by 18 young artists from the Cranmore area. The project is part of the Cranmore Co-Op’s ‘Inside and Out’ project which was launched in February 2017, funded by the International Fund for Ireland and such was the success of the first year of the project, the IFI has provided additional funding to extend the project for a further twelve months.

Funded by the International Fund for Ireland, under its Peace Impact Programme, the ‘Inside and Out’ project is designed to empower people of all age groups in the Cranmore housing estate through capacity building and skills development that will enable their involvement in positive projects that will improve their own quality of life as well as the community at large.

Speaking at the launch Ms. Dorothy Clarke, Board Member of the International Fund for Ireland, said: “I would like to congratulate everyone involved in this innovative and imaginative project and in particular the children who participated and achieved such an impressive end result. They should be very proud of the fact that their very special Zine will be on exhibition in this world-class visitor centre for everyone to enjoy.”

Emer McFadden, Community Development Worker for the Inside and Out project said: “On behalf of everyone in Cranmore Co-Op and all our partners involved in this project, I would like to thank the International Fund for Ireland most sincerely for their funding support, without which, we could not have undertaken this project.”

“We are delighted with the huge response from young people to the project over the past twelve months and today’s event illustrates the positive benefits of skill sharing and learning to work together. I have no doubt that this project will leave a lasting positive legacy for the people in Cranmore and its environs.”

All images by Frances Muldoon

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The Model

28 Feb. 2018

Sligo Children's Book Festival 2018

Three of Sligo’s leading cultural organisations have come together once more to host the Sligo Children’s Book Festival, celebrating family literacy and creativity of parents and young children. The Model, Kids’ Own Publishing Partnership and the Hawk’s Well Theatre have created a month long action-packed festival featuring storytelling, theatre, film, visual art, craft and book-making to inspire and entertain children and parents alike!

Sligo Children’s Book Festival will take place from Friday 2nd to Saturday 31st of March, with lots of book-related fun activities for children to enjoy. Events will take place at the Hawk’s Well Theatre, The Model and schools in Sligo. The festival kicks off from 4.30pm to 6.30pm on Friday 2nd of March, with an action packed evening of Roald Dahl themed fun at the Hawk’s Well. There will be dreadly drumming workshops, fluckgungled face-painting, crodsquinkled craft workshops and a biffsquiggled bookshop to launch the month long festival.

From Tuesday 6th to Saturday 31st of March the Youth City Zine exhibition takes place at The Model, presenting the work of Cranmore’s Youth City. Everyone is welcome to the opening on Tuesday 6th of March at 7pm. On Friday 9th and Friday 23rd of March from 4.30 to 6pm creative seven to nine year olds can join Dympna O’Driscoll at the Hawk’s Well to create their very own fantastical dreams in a Dream Jars workshop.

On Sunday 11th and 18th of March from 12.30 to 2pm ArtTrap at The Model provides the perfect space for children to innovate, explore and experiment, using art and craft-making processes with artists Sinéad O’Hanlon and Ana Faye. On Monday 19th of March at 3pm, enjoy the wonderful anarchic work of children’s favourite Roald Dahl with storyteller and artist Wayne O’Connor as famous fairy tales are re-imagined in a suitably revolting manner at the Hawk’s Well.

Monkeyshine Theatre present The Magic Bookshop at The Model on Tuesday 20th at 11am, 1pm & 4pm and Wednesday 21st of March at 10.30am, 12.30pm and 4pm with performances for schools and families. The Magic Bookshop is an immersive experience for everyone over 5 and audiences are invited to bring a gently used book to swap at the book exchange.

On Sunday 25th of March an Easter special Family Day workshop takes place at The Model from 11.30am to 3pm with artists Sinéad O’Hanlon and Ana Faye helping families to make their own hand-printed Easter cards, followed by a secret screening at 2pm.

From Tuesday 27th to Friday 30th of March at 1pm at The Model, lunch time secret screenings for children take place at a pop-up cinema with a range of films adapted from favourite books. On Saturday 31stof March at 2.30pm, the Hawk’s Well Theatre present their Dahlicious Books & Hot Chocolate Club get-togethers for young readers. Children will take part in a gloriumptious craft-making activity and enjoy an entertaining squishous storytelling session with a lickwishy hot chocolate! Suitable for children aged 7-9 and created this event is nearly sold out.

Many of these events have limited availability so advance booking is advised at the venue. For further information and to book events at the Hawk’s Well Theatre, contact their box office on 071 9161518 or online at www.hawkswell.com. For bookings and further information on events taking place in The Model, contact 071 9141405 or info@themodel.ie

Kids’ Own is on tour to schools in the month of March, bringing their archive to books to class groups across the county of Sligo. Schools are invited to spend a morning with writer Mary Branley and artist Vanya Lambrecht Ward exploring the canon of books by kids for kids, and developing their own work in response. Through this programme, Kids’ Own engage 2 – 3 class groups per day. Schools can contact Kids’ Own on 071 912 4945 or visit www.kidsown.ie for more information.

22 Feb. 2018

The Tain - performance, exhibition and workshop

The Model is delighted to bring three interpretations; in three artforms; of the early Irish classic, An Táin, together in one space, for a public performance and exhibition on 28 April 2018.

Lorcán MacMathúna, who has been described as one of the most progressive talents in contemporary folk music, will present his reinterpretation of ancient Irish epic, The Tain using Louis LeBrocquy’s works of the same name from The Niland Collection as an inspiration and a backdrop. The Model will present a selection of original illustrations created by Le Brocquy for Thomas Kinsella’s seminal 1969 translation of the great Irish epic, the Táin Bó Cúailnge. Lorcán MacMathúna’s unique and exciting reinterpretation of ancient the Bardic texts will bring a 1st century mythological tale to life for contemporary audiences across the disciplines of dance, Sean Nós composition and traditional music.

This multi-disciplinary performance will see MacMathúna bring together outstanding contemporary dance artist, Fearghus Ó Conchúir, with traditional musicians Martin Tourish, Eamonn Galldubh, and Daire Bracken. The performance takes place on Saturday 28 April at 7pm and will be followed by a discussion with MacMathúna and Ó Conchúir led by composer and musician Emer Mayock. Tickets are available from The Model and are priced at €12. The exhibition will continue until Sunday 3rd June and is free of charge.

In addition, MacMathuna will facilitate a practical workshop for students and arts practitioners the following day on 29 April at 1 pm. The workshop will explore the relationship between dance and inter-disciplinary art practice and is free of charge to attend, however, prior booking is essential.

15 Feb. 2018

Punc 1x1 at Scoil Mhuire gan Smal

This month, Scoil Mhuire gan Smal, in Ballymote, South Sligo responded to the Punc 1×1 artworks on loan to their school from the Niland Collection. They produced their own artistic interpretations of the Niland Collection paintings through a series of interactive workshops as part of the Punc artist in schools initiative, a new strand to this years programme.

They examined intriguing aspects of the paintings, which were on display in their school this winter. In the workshops 1st, 2nd and 3rd class students explored ideas, textures, experimental drawing, printmaking and even tried their hand at making their own drawing tools.

Their passionate engagement prompted a whole range of suggested names for the painting currently on display in their school. Below are some of their unique and creative suggestions for what the title could be:
Sun behind the Mountain
Sheppard’s Call
Lonely Sunset
Fire Peak
The Edge of the Lost City
Bonfire Night
Haunted House
Evening Rise
Fire Hotel
Nature Park
Mountain Village
Nature Park
Sound of Nature

Artist Shannon Re will continue to visit each of the seven participating schools from now to the end of May.

If your school is interested in workshops with the artist please phone The Model on 071 914 1405

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The Model

16 Jan. 2018

New Acquisition of Artworks from Recent Yeats Family Sale at Sotheby’s

We are delighted to announce the very special acquisition of a considerable body of artworks from the recent Yeats Family sale at Sotheby’s. This is a fantastic body of work and a significant acquisition which will perfectly complement the other works by the Yeats family held within the Niland Collection.

John B Yeats, WB Yeats Reading in the Garden
Image courtesy Sotheby’s

The loan features portraits of both Jack and William by their father and other portraits of their grandparents William and Elizabeth Pollexfen, and their uncle George Pollexfen. The works, which are joining The Niland Collection on a long-term loan from a private collector, will be featured in a very special exhibition at The Model entitled Portrait of a Family from 9 June – 21 October 2018.

John Butler Yeats, Self Portrait, New York
Image courtesy Sotheby’s

Given the recent concern that these paintings, particularly the John Butler Yeats masterpiece, would be dispersed, possibly abroad, we are delighted that they will be made available to the Irish public through The Niland Collection in Sligo, a place that was close to the family’s hearts. We are pleased to share these wonderful objects with our audience and are grateful to the private collector who has made this most generous gesture.

John B Yeats, Jack in a Straw Hat
Image courtesy Sotheby’s

We are especially delighted with the generous gift of Jack Butler Yeats’ model boats and travelling case, which will enable us to bring the Yeats Family story to life for the children of Sligo in the years ahead. The collection of nine boats, along with a wooden storage case for toy boats decorated with nineteen watercolour drawings, are currently on view at The Model until Sunday 22 April as part of Turbulence. The rest of the artworks will be delivered to Sligo next month.

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The Model

Related Programming

2 Nov. 2017

Enikő Hegyi sings at the IMA at the Model

The soulful voice of classically-trained Transylvanian singer Enikó Hegyi will be accompanied by Sligo jazz pianist Darragh Houston. Pianist Maija Kravale will perform pieces from familiar classical and less familiar Latvian composers. Anna Houston will play a cello sonata from the 18th century and Collette Sheerin, singer songwriter and player of traditional flute, will be joined by members of Sligo Baroque Orchestra in music by Telemann and Collette Sheerin – in a meeting or merging of two musical worlds.

Informal Music Afternoon in The Model
1 pm Sunday November 5th
admission €5
children go free

Informal Music Afternoons are produced by Sligo Baroque Orchestra in partnership with The Model. There is a cabaret style set-up in the light, bright space of the atrium in The Model; The Café is operating and you can come and go as you please. Children of all ages are most welcome.

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The Model

17 Oct. 2017

PUNC 1x1 at Cliffoney National School

Unfolding, throughout the 2017 / 2018 academic year PUNC 1×1 is a unique county-wide outreach programme initiated by The Model and now in its second year.

Seven works from the Niland collection are currently on display in participating schools. The exhibition is shown on a rotation basis and initially the children are not given any information about the artist leaving them to respond to each art work with only their imaginations to guide them!

Punc 1×1 is off to a great start with very creative responses from Cliffoney National School, North Sligo. The mysterious painting with the “mysterious” hat has prompted the children to guess some brilliant titles for this work.

The most popular name suggestions for the piece so far: 
Mr. Nobody’s Hat
The Haunted Hat
The Poacher’s Hat
The Never Worn Hat
Mystery Hat
The Murder Hat
The Invisible Man’s Hat

Principle Louise Kerins said: “The experience so far has been fantastic. All pupils have engaged with the artwork and the ideas and suggestions made have been interesting and thought provoking. A number of parents have also made time to look at the artwork and are thrilled our school is part of the project.We look forward in anticipation to learning the true name for the piece and some information on the artist.“ 

Cliffoney School website

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The Model

26 Sep. 2017

Guest Blog: Barry McHugh on Oliver Laric

The following blog by locally-based artist Barry McHugh touches on important threads in the multi-media practice of artist Oliver Laric, whose film installation is currently showing at The Model (until Sunday, October 1st). Laric’s exploration of the nature of images and objects in digital space reveals the internet as not merely a space of representation, but of direct experience, as the real world is increasingly mediated by screens, and knowledge is replaced by searching. In the spirit of Laric’s practice of on-line collaborative art-making, The Model invites McHugh to write a short essay-blog on Laric.

Art is the act of transformation and Oliver Laric is interested in the modification of icons, or their potential to adapt. There is a Hollywood quality to the catharsis of an icon. His favourite sculpture is a justice in Basel that used to be a virgin with child. Jesus was simply replaced with a scale during reformation iconoclasm and all the spiritual connotations were substituted by a more pragmatic ideology. [1]

“I don’t see any necessity in producing images myself, everything I would need exists it’s just about finding it.”

This action of searching documentation has become an alternative to knowledge, going through Laric’s piece we can see him use footage from movies (such as Akira) and television to construct much of his film, with the soundtrack being an instrumental version of Justin Timberlake’s “Cry Me a River.” [2]

You are left with a piece of film that mirrors the mass consumption of media that the internet allows you to do in this age, and you can see Laric combining High culture and popular culture through this. The film shows images are continually modified to represent something new, the nature of images and objects in digital space reveals the internet as not merely a space of representation. Memes, Lets Plays and blogs, which are all internet based actions of transformation, illustrates that a thing and a thought can be one and the same on the internet. ‘my Web site(VVORK) [3] is not a space of representation but of primary experiences. You are viewing the real thing. And when the work travels to other sites, it is still the real thing’ [4] that has influenced Oliver’s outlook to ownership and authorship he even says.

“I think it is necessary to ignore authorship, to create a space for something that is interesting again.” [5]

This isn’t empty talk either, Laric Created an open data base of footage for the Frieze Festival in 2012 [6] and it is within this you might notice a subtle nod to another artist that seems to have influenced him as an artist. Within this archive is a clip called urinal where he has an up-close shot of a porcelain urinal with fluid hitting it. [7] Marcel Duchamp being one of the first artists to advocate the notion of the artist as transformative thinker with his piece ‘Fountain’ which was literally a urinal turned upside-down.

Laric’s online-based practice the website/blog VVork with Aleksandra Domanovic, Christoph Priglinger, and Georg Schnitzer is an archive of work that he has compared to curating. VVORK depicts artistic production as a networked, collaborative process subject to certain patterns, and it saw potential in iteration. [8]

Throughout all his work a theme of Recursion, repetition, reinterpretation can be seen. It can be seen in his sculptures in Kopienkritik (the name originating from the German translation of a Roman school of sculpture that specialised in copying Greek works) [9] fitting since his sculptures were copies of important sculpture using 3D printers. In this he attempted to raise mechanical reproduction.
Larics work is unique in his approach to both his material and how he presents his work. this creates dynamic atmosphere to his work.

McHugh has a Masters in Social Practice and Creative Design from LIT. His practice encompasses writing, curating and making. He is author of the book A Dyslexic Portrait of a Young Man, which is written in comic format and available at The Model bookshop.

1- Oliver Laric Interview – Incite Online
2- Oliver Laric – Art in America
4- The Real Thing/Interview with Oliver Laric
5- The Real Thing/Interview with Oliver Laric
6- Oliver Laric – Frieze
7- Frieze Stock Footage
8- Archiving vvork
9- Kopienkritik

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The Model

Related Programming

16 Sep. 2017

Artists Select: Michael Wann

Drawing: Void Pastoral Series
Sat. 9 Sep. – Sat. 7 Oct.

Artist Talk: Thu. 5 Oct., 2pm, Free

Michael Wann is a Sligo based artist whose practice is rooted in drawing. Using charcoal and water, he explores the myriad possibilities of what happens when drawing with these elemental materials. Drawing on themes of landscape and memory, he returns over and over again to the work of classical artists such as Gainsborough, Constable, Corot and Hogarth. Observing and looking at history books, old engravings, sepia photographs and etchings, this practice of looking goes back to the artist’s childhood. It has informed his drawing and imbued it with an otherness that is both classical and contemporary.

In this exhibition, Wann selects several works from the Niland Collection which are presented in a unique arrangement alongside his own drawings and research material. Works by Wann, together with Le Brocquy, Hooghiemstra, Diarmuid Delargy and Paul Henry exude a quiet intensity, which tap into a deep history of drawing, which informs the present and will no doubt persist into the future. In this presentation, Wann presents exciting new work, with burnt edges, sepia splashes, spontaneous gestures and accidents which converge in the making of a landscape.

Michael Wann lives and works in Sligo. Originally from Dublin, he graduated from Sligo Institute of Technology in 1992 with a Diploma in Fine Art, and in 2003 with a Bachelor in Fine Art.
Wann has exhibited widely in both solo and group exhibitions. He has been awarded numeous residency fellowships and has received several prestigious drawing prizes, including the Tom Caldwell Drawing Prize at the Royal Ulster Academy’s 129th Annual Exhibition and the Sean Keating Award and Silver Medal at the RHA’s 186th Annual Exhibition in 2016. His work is held in both private and public collections nationally and internationally.

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The Model

Related Programming

25 Aug. 2017

Volunteer Scheme

The Model is looking for enthusiastic people who have a few hours to spare each week to join The Model’s volunteer scheme.

If you are interested in meeting people, getting a better understanding and experience of the arts and would like to make a worthwhile contribution to Sligo’s cultural life, The Model would love to hear from you.

Click here for more information on the role of the The Model invigilator.

Click here to download a volunteer application form

Please contact: getinvolved@themodel.ie

The Model is delighted to partner with Sligo Volunteer Centre for the recruitment of volunteers to our Get Involved programme.

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The Model

24 Aug. 2017

Artists Select: Kiera O'Toole

Kiera O’Toole
Drawing from the Non-­Place
Artist Talk: Sat. 26 Aug., 2pm, Free

The Model is delighted to present the first in a new series of exhibitions titled Artists Select. The first in this series is an exhibition by The Model studio artist Kiera O’Toole, whose practice is expressed through the act of drawing and on occasion is mediated through digital media.

In this exhibition O’Toole considers the work of renowned Dutch artist Arno Kramer, whose drawings are held within The Niland Collection. O’Toole has chosen three works by Kramer, which resonate with her own artistic interests.

O’Toole is drawn to the similarities in their practice which she sums up as follows: ‘As practitioners, Arno Kramer’s drawing practice and my drawing practice share an attentiveness and awareness which is informed by drawing’s key attributes: immediacy, intimacy, modesty of means and sensitivity; as evidenced through the pressures of touch, stains, accidents, lines and indentations.” Both artists bring into view the physical trace of the artist’s thinking where a heightened sense of perceptual awareness of the drawing process emerges ‘as a coming to know.

Artists Select; Kiera O’Toole will feature a selection of works by both O’Toole and Kramer and will take place in the Foyer Gallery space. This exhibition runs concurrently alongside the exhibition High Winds Move Slowly, an international presentation of the work of artists Arno Kramer and Henk Visch, which opens on August 19th.

Kiera O’Toole will present a talk on her exhibition on Saturday, 26 August, at 2pm

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The Model

Related Programming

3 Jul. 2017

Undercurrents, Divergent Paths in Contemporary Folk

The Model is delighted to announce a new series of music curated by composer and musician Emer Mayock, which will run throughout autumn and winter 2017.

The series features a distinct range of contemporary folk artists each exploring their contrasting influences and approaches to song, dance or music; while also challenging audiences’ perceptions of the genre.

Speaking ahead of the first gig in the series which takes place on Saturday August 19th is Emer Mayock said “We are delighted to present New York folk duo The Murphy Beds for the inaugural performance in the Autumn/Winter series Undercurrents. Eamon O’Leary and Jefferson Hamer dig deep into the song traditions of the US, Scotland, England and Ireland delivering the repertoire with close vocal harmonies and intricate interwoven guitar and bouzouki lines. The Murphy Beds do much to exemplify the way in which folk artists uniquely explore tradition and re interpret materials that are sometimes hundreds of years old in a contemporary context.

The Undercurrents series aims to shine a light on the diverse means by which artists take this path of reinterpretation, infusing knowledge, influence and creative imagination. Further nights confirmed include Jean Butler and Neil Martin with this is an Irish dance: studio series 1 on Sunday October 1st with more acts to be conformed for winter.

Acting Director, Emer McGarry commented “The Model is delighted to have the opportunity to work with a music curator of Emer Mayock’s calibre. She is an outstanding composer and musician in her own right
and has put together a very exciting series of music for The Model’s Autumn programme, which I am
sure our audiences will enjoy immensely.”

30 May. 2017

Emer Mc Garry interviews Ronnie Hughes on Strange Attractors

The following text is the synthesis of a number of conversations between the artist Ronnie Hughes and curator Emer Mc Garry regarding his artistic practice.

EM: What is it that excites you about painting?

RH: That’s a very complex question but the obvious things are formal qualities – colour and shape, their relationship and how these are orchestrated to create sensations of pattern, movement and rhythm. I’m also very attuned to the sensuous qualities of paint and how a painting’s surface can hold or reveal a sense of how it was made i.e. the artist’s touch (or not). Allied to the content matter this is often a big factor in how we respond as viewers. Thirdly I like that a painting surface can often contain and reveal the history of its own making – time condensed, as it were.

EM: Can you expand on this idea of the visual compression of time?

RH: Well, bearing in mind that a painting may be over a number of months or even years, a work can often betray the physical evidence of this process in different way; accumulations of paint or, conversely, signs of attrition and sometimes by the sheer complexity of image parts. In my own work the process is one of trail, error and response and I’m interested in ‘finding’ the finished work. When a particular state doesn’t feel resolved I like to try to add another level that doesn’t completely obliterate what was there before. In other words I (usually) actively try this temporal sense into the painting or drawing.

EM: How do you title your work?

RH: Once the work is finished, and documented, I try to sit down and work out what the title it. I find this very difficult as I think titles are very important signifiers to not only how an artist thinks about that particular work, but perhaps the work in general. I like the title of to be poetic: I like it to situate the viewer in a particular area but, perhaps conversely, to open up possibilities of interpretation. It’s important not to suffocate the viewer. I usually use single word titles. Sometimes the word is used for its meaning, sometimes its sound. Occasionally I invent words. In practical sense it’s also important for me that I will see the painting in my mind’s eye when I hear the title.

EM: Can you talk about the combination of drawing and painting in your practice?

RH: For me drawing is central – painting is, in many ways, just drawing with paint (or an equivalent). It is important to me that there is a ‘drawing’ sensibility at work – I don’t this in a traditional sense but in a spirit of discovery – to ‘draw out’ or ‘draw forth’ – to wrest an idea, a form or an image from the ether. Contrary to much that I was taught at art school I discovered that this often times me slow down or work carefully, thoughtfully and methodically.

EM: You mentioned during our studio visit that you look at your work with a ‘quizzical eye.’ At other times you have referred to your work requiring ‘curious viewers.’ Is this kind of reflection or investigation intrinsic to your work?

RH: I think that art is at its most gripping when it both attracts and resists us – when it garners our attention but refuses to be submissive. I like the idea of making art that acts as a kind of conundrum – what is this I’m looking at? What is the pattern and why? What values are at work? How do I feel or what do I think?

EM: It is clear there is a stylistic diversity in your paintings. How do you achieve this and why is it important to you?

RH: An old teacher of mine (performance artist Alastair MacLennan) used to say that your thumb and forefinger look very different buy they belong to the same hand. I’m very resistant to the idea of ‘style’ – bearing in mind that this can be born our of habit or, more accurately, lazy research methods. I try to foster an experimental and creative approach and I’m happy for work to engender variety. That said it is one of the inescapable paradoxes of art-making that more, and longer, one labours then the more the work can be ‘tied up like a sausage’ (to quote de Kooning).

EM: You have said previously that what interests you most as a painter is plasticity. Can you expand on this idea?

RH: Simply put: I like the idea of malleability, of transformation – in materials, processes, configurations and ideas.

EM: Your work over the years has moved from representation to pure abstraction. Can you tell us more about this change and why it happened?

RH: Well first of all let me say I don’t believe in the concept of pure abstraction! There is always representation, allusion and suggestion. At one time I used to make work that used to recognisable images to try to eke out ideas or expressions about particular thematic issues. At a certain point I wondered what would happen if I emptied out the symbols and tried to work without reference to essentially linguistic ideas. I soon discovered that this was a folly as the world follows you into the work anyway. This freed me to just be in my work without worrying about steering it. So in a sense there was no real rupture in how I worked; a shift of emphasis perhaps.

EM: Is there a grammar and syntax to how you work out your paintings? How do you find a balance in your work that is coherent?

RH: I think most creative endeavours (art, writing, music, film et al.) are ultimately determined, or resolved, by grappling with problems of structure – organising parts into coherent whole. This fundamentally formal problem is, as you note, one of finding balance. Each new work creates a different, and complex, set of conditions to respond to and of course with the flow of time one presumes we respond differently too.

EM: There is a three-dimensionality to your finished paintings. Do you feel your painting practice ever slips into object-making? Why do you make paintings and not sculpture?

RH: I’m completely in the world of object making! I’m very conscious of making an actual thing as opposed to merely an image or illusion. Over the years I’ve made a number of works that would be considered as sculpture and I prefer to be described as an ‘artist’ rather than as a ‘painter’, but the simple fact is that I enjoy the minimal directness of painting and drawing. It’s about desire.

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23 May. 2017

The Model presents Cairde Visual Submissions Open / Deadline June 12th

(Heidi Wickham, Emer Mc Garry, Tara Mc Gowan and Cormac O’Leary. Image by Barra Cassidy)

In 2013, a group of established Sligo based artists came together with Cairde Sligo Arts Festival with an aim to create a significant, international open submission exhibition for the North West. Cairde Visual was born and the first annual submission took place in The Hyde Bridge Gallery in 2014. The exhibition has, in a short space of time, become a much-anticipated feature in the arts festival’s programme and in the cultural calendar of the region, not to mention an increasingly important fixture for artists all over Ireland and abroad. The third annual exhibition in 2016 boasted over 70 artworks from local, national and international artists, featuring a great diversity of media.

The Model came on board as a collaborative partner in 2015, offering The Model Cara Award – a short-term residency in The Model’s artist studio. Recipients of the Model Cara award to date have been Helen Blake in 2015 and both Daniel Chester and Selma Makela in 2016.

The move of Cairde Visual to The Model for 2017 is an exciting development for all concerned. Director of Cairde Sligo Arts Festival, Tara McGowan, believes that the collaboration with The Model will further enhance the reputation of the annual exhibition. ‘We are delighted to collaborate with The Model as one of Ireland’s leading arts centres. The phenomenal growth and success of the exhibition over the past three years has lead to an increase each year in submissions. The Model’s beautiful gallery spaces will ensure that we can showcase selected works in the best possible way”.

Acting Director at The Model, Emer McGarry is equally looking forward to collaborating with Cairde Sligo Arts Festival on Cairde Visual. “Part of the core work of The Model is to offer opportunities for the development of professional artists. We are delighted to partner with Cairde Visual in 2017 and to extend the opportunity for local, national and international artists at all stages in their careers to submit work for consideration. We believe that we can bring our expertise and experience to the progression of this Sligo-based open submission exhibition”

Submissions are now being accepted for this year’s Cairde Visual. Guidelines and submission forms are available at www.cairdefestival.com and also at The Model reception desk. The deadline for receipt of applications is June 12th 2017.

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3 Apr. 2017

Arts and Health Check Up, Check In 2017

This day-long programme, featuring presentations by some of the leading figures working in arts and health in Ireland and the UK, is for healthcare professionals, arts practitioners and anyone interested in learning more about this exciting field. Check Up Check In 2017 is organised by www.artsandhealth.ie (Waterford Healing Arts Trust) and Create, the national development agency for collaborative arts, with local partner the Arts Initiative in Mental Health – a programme of the Mental Health Services Sligo Leitrim. The event is supported by the Arts Council, Sligo County Council Arts Service, HSE North West Health Promotion and The Model. Further details and booking information from www.artsandhealth.ie / 051 842664. The fee for the full day, including lunch, is €20.

Check Up Check In 2017 provides an opportunity for those working and interested in arts and health to share their experiences, exchange ideas and support and inspire each other in their practice. The exciting line-up of guest speakers from the arts sector and healthcare in Ireland and the UK includes Patrick Fox, director of the UK agency Heart of Glass, award-winning artist and theatre maker Mark Storor, Dr Regina McQuillan, palliative medicine consultant at St Francis Hospice in Dublin and artist and filmmaker Marie Brett. Arts and health projects to be showcased on the day will include a 12-year inter-generational project in the UK, a photographic project in a nursing home in County Galway, a community based arts and wellbeing programme and open studio in County Kildare and a theatre project in a palliative care setting in Dublin.

Arts and health programmes comprise a range of arts experiences, presented in healthcare settings, for the benefit of health service users, healthcare staff and artists. This expanding field of work fosters creativity, wellbeing and access to the arts and is based on partnership between the artists, arts organisations and those working in healthcare and/or the wider community. Further information about all aspects of arts and health work, including case studies, is available on www.artsandhealth.ie

Additional info:
Waterford Healing Arts Trust (WHAT) brings arts experiences to the bedsides of patients at University Hospital Waterford and other healthcare settings. WHAT supports the development of arts and health in Ireland and manages the national website www.artsandhealth.ie
Create is the national development agency for collaborative arts and provides advice and support services to artists and arts organisations working collaboratively with communities in social and community contexts. www.create-ireland.ie
The Arts Initiative in Mental Health (AIMH) is a programme of the Mental Health Services Sligo-Leitrim . AIMH aims to engage artists and service users in interesting and meaningful art-making, make visible arts and health work both within the mental health setting and publicly, where appropriate, and increase access to the arts by service users and healthcare professionals.

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14 Oct. 2016

Beneath the Air II: Glow (playlist)

To mark the second show of ‘Beneath The Air,’ The Model’s new curated music series, Edel Doherty has compiled a playlist of songs that stem from the musical vein of the bands involved in the series.

All the bands and artists featured in this playlist hail from both sides of the border, so think of this as your informal introduction to Ireland’s diverse musical scene.

Featuring both Nocturnes and The Darkling Air, this Saturday’s co-headliners, the playlist will provide you with a taster of what ‘Beneath the Air’ has to offer. So sit back, plug in and enjoy rich folk, dark experimental soundscapes and and an oh so beautiful myriad of voices.

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29 Sep. 2016

Beneath the Air: Light and Dark (playlist)

Beneath the Air is a new music series taking place in The Model curated by two local independent record labels Bluestack Records and Art for Blind Records. Showcasing emerging artists from the island of Ireland, the series will commence with The Altered Hours from Cork and Belfast’s Sea Pinks this Saturday 1 October. These two bands represent the vibrance of Irelands diy music scene each having released LPs and singles and toured extensively across Ireland and Europe.

The Altered Hours are a five-piece based in Cork, their music evokes dark psych/shoegaze and elements of post-punk. They arrive in Sligo in what has been their busiest period in the band’s life; they released their debut LP “In Heat Not Sorry” in January on Art for Blind/Penske and then embarked on an extensive tour of Ireland, UK and Europe. They then hit the road again over the summer taking in many of the country’s top festival’s including Body & Soul, Castlepalooza and Electric Picnic. Internationally they have played at Lisbon Psych Fest, Cosmosis Manchester and Liverpool Psych Fest.

Co-headlining are Sea Pinks, the solo project of Neil Brogan, which he started while he was the drummer in Girls Names and then morphed into a it’s own entity with a full line-up of three having been joined by Davey Agnew on drums and Steven Henry on bass. Sea Pinks create jangly fuzz pop with a nostalgic edge and have been likened to “The Go-Betweens if they were born in a colder climate” (Clash magazine). Sea Pinks have released five full-length LPs and various singles and EPs on Brogan’s own imprint CF Records.

So as to whet your appetite for Saturday night, we here at The Model have collated a playlist for you to bang out of your stereo… or computer speakers! Featuring tracks from both The Altered Hours and Sea Pinks and veritable rag-tag ensemble of similar Irish and international acts of today and yesteryear including Girls Names, So Cow, Twinkranes, Singapore Sling, My Bloody Valentine and The Brian Jonestown Massacre.

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24 May. 2016

Studio+ ‘Coney’

On Saturday the 14th of May, artists; Aideen Connelly, Medbh Gillard, Diane Roemer, Emma Stroude and Lorna Watkins and the film maker Carola Gotta, met in The Model Black Box to watch the ‘Coney’ documentary and discuss their work and it’s evolution since their residency project in 2014. This fabulous event was chaired by The Model’s Education Curator Marie Louise Blaney and hosted by artist and educator Chelsea Canavan.

‘Coney’ was a residency project developed by five artists as a result of going to The Model’s Graphite and Easel Group. Each artist in their own way had reached a point in their life and career where they were on the cusp of new path. The journey to that new path was Coney, the work, a culmination of five days of dedication to purely working through the experience of being on an island residency. With so many forces at play it was amazing to hear and talk of the different yet similar experiences of each artist whilst on the island. The work and the experience that created it leant itself to a beautiful exhibition and period of great growth for each individual.

This project seemed to grow and take on legs of it’s own, as all good things do, and it progressed itself into a group exhibition in The Hyde Bridge Gallery and was eventually brought into The Model for a delightful afternoon of insight into artist practice, experience, energy and evolution. After the discussion everyone headed up to the ‘Studio 4’ here in The Model for an Open Studio hosted by artist Lorna Watkins.

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29 Jan. 2016

Interview with artist Bart Lodewijks.

Please see this video by grammar student Fiachra Gallagher Lawson, featuring an interview with artist Bart Lodewijks at The Model on his residency at The Model in 2015.

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19 Jan. 2016

Bart Lodewijks brings new exhibition to The Model

The Model Drawing / Unforgettable Neighbourhoods

*Symposium: Drawing as a form of social action Saturday 30 January, 12 – 4.30pm
Opening Reception Saturday 30 January 4.30pm*

The Model will open a unique exhibition featuring Dutch artist Bart Lodewijks on 30 January on view until 27 March. The Model Drawing / Unforgettable Neighbourhoods will showcase Lodewijks’s three-year drawing project in the Sligo neighbourhoods of Doorly Park, Riverside and Garavogue Villas as well as similar projects released in cities around the world since 2000. The exhibition includes chalk drawings, which stretch across the gallery walls, and images from the artist’s archive are reprinted in the form of a free limited edition newspaper. Several films on the artist’s work are presented by filmmakers Griet Teck, Robbrecht Desmet, Gunter Blokken and photographer Huig Barteis.

Born in 1972, Bart Lodewijks makes chalk drawings in public and private spaces in urban environments and writes about the process. Drawings and texts come together in publications, made in collaboration with independent art publisher ROMA Publications.

To mark the opening of the exhibition, The Model will present a symposium. Artist and lecturer Ronnie Hughes will chair an afternoon of talks, film, discussions and actions, followed by a presentation of the book Sligo Drawings, a guided tour of the exhibition led by Philippe Van Cauteran in conversation with Bart Lodewijks and the curators. The unveiling of a new permanent chalk drawing in The Model atrium space will follow this at the official opening at 4.30pm.
€15/€10 (Including lunch by Sligo Global Kitchen)
All welcome.
Bookings can be made at www.themodel.ie/exhibitions/symposium

A publication of images and texts by Lodewijks will accompany the exhibition published by The Model and ROMA Publications.

Curated by Marie Louise Blaney and Danielle van Zuijlen.

This project is made possible by the generous support of The Community Foundation of Ireland and Mondriaan Fund, The Netherland.

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6 Jan. 2016

New Season of Cinema

The Model is delighted to announce a new season of film at The Model Cinema in partnership with Sligo Film Society.

Running each and every Thursday from this week through to April, The Model is delighted to present its spring programme of the very best in international and independent cinema in partnership with Sligo Film Society. Membership and tickets for individual screenings are available through Sligo Film Society from 7.30 pm prior to each screening.

The Gallery Café is open late on Thursday evenings serving treats, a selection of wine, beers and alternative refreshments.

This Thursday’s screening is Tangerines.

Dir: Zara Urushadze, Estinia, Georgia, 2013
89 mins
Language: Estonian
Starring: Starring Lembit Ulfsak, Giorgi Nakashidze, Elmo Nuganen, Mikhael Meskhi

Set during the brutal 1992 Georgian-Abkhazian conflict, this humanistic story follows elderly Estonian farmer Ivo nursing two injured men from opposite sides, in his small farmhouse. As both men recover, and Ivo remains stoically neutral, we observe this brilliant examination of conflict & humanity.

Full list of screenings at The Model Cinema:

Thu. 07 Jan. 8pm Tangerines
Thu. 14 Jan. 8pm 99 Homes
Thu. 21 Jan. 8pm In the Courtyard
Thu. 28 Jan. 8pm Mistress America
Thu. 04 Feb. 8pm My Skinny Sister
Thu. 11 Feb. 8pm Sunset Song
Thu. 18 Feb. 8pm Taxi Tehran
Thu. 25 Feb. 8pm Qual d’Orsay
Thu. 03 Mar. 8pm Miss Julie
Thu. 10 Mar. 8pm The Assassin
Thu. 24 Mar. 8pm The Grump
Thu. 31 Mar. 8pm Youth
Thu. 07 Apr. 8pm Chronic
Thu. 14 Apr. 8pm Rams

Further information on The Model Cinema can be viewed online at www.themodel.ie

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8 Sep. 2015

Culture Night at The Model, Friday 18 September, 3pm to 11pm

Friday, 18 September, 3pm – 11pm, FREE
Culture Night Sligo provides a wonderful opportunity for people of all ages to participate and experience in fun and exciting artistic events.

Ceardlanna Rithima le Rossa O’Snodaigh, 3 – 5pm (G)
For the first time The Model presents a programme for Irish Language Culture Night with a range of events suitable for every member of the family. Our Rhythm Workshop with Rossa Ó’Snodaigh from Kíla will give children of all ages the opportunity to learn about over 16 unusual instruments from strings to percussion.

Guided Tours (G)
Very special, interactive guided tours of The Niland Collection will take place in both Irish and English throughout the evening.
Irish Language Tour 5pm
English Language Tour 6pm

Robert Jarvis aroundNorth
Workshop 15 – 18 years, 4.30 – 6pm
Performance 8 – 11pm
The Model is delighted to present a very special sound art performance with Robert Jarvis. As the Earth spins on its axis, and day becomes night becomes day, our view on the near universe changes as seen by the changing positions of the stars in the sky. aroundNorth offers listeners the opportunity to hear this phenomenon in real time. As stars cross equally spaced virtual lines emanating from Celestial North Pole, their sound is heard corresponding to their position in the sky, size, distance from Earth, brightness and temperature, creating a mesmerising sound map of the universe as viewed by our turning planet. If the stars were a musical instrument, how would they sound?

From 4.30 – 6pm Robert Jarvis will conduct a workshop with teenagers aged between 15-18 years. They will discuss the installation’s creation and consider through various exercises, the scope of the astronomical challenge. Participants will be encouraged to bring musical instruments so that they can create their own version of the installation.

Open Studios 5 – 9pm
Culture Night presents a wonderful opportunity for members of the public to visit the studios of the artists who work everyday at The Model. There audiences can meet the artists, view their work and discuss their individual artistic practices.

Irish Language Film Shorts 6 – 9pm
A selection wonderful Irish language films with themes ranging from love to comedy. A unique cinematic experience. Titles included: Rúbaí, Beirt le Chéile, Rince, Céad Ghrá, Cáca Milis (starring Brendan Gleeson), El Toro agus Yu Ming is ainm dom.

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3 Sep. 2015

Volunteer Open House

We’d like to invite you to our Volunteer Open House on Thursday 10 September, 4 – 6pm. Our Open House will showcase exciting new volunteering opportunities as we re-launch our Volunteer programme. Members of our staff and volunteer team will engage and share their experience of participating in an artistically vibrant and diverse arts centre. We are committed to providing you with a fulfilling and worthwhile volunteering experience, whether your interests lie in events, tour guiding, education etc… Free refreshments are also available. Further details of the roles can be found on http://www.volunteersligo.ie/ from Tuesday 01 September.
For more info contact: getinvolved@themodel.ie or come join us on the day.

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21 Aug. 2015

Psychic Lighthouse Closing Event Invitation

You are invited to particpate in a site-specific event that marks the closing of Psychic Lighthouse on Sunday, 30th August 2015, 7.30pm.

*As places are strictly limited, we ask that you R.S.V.P. to imeldaryanjones@themodel.ie

Please wear clothes that are suitable for the outdoors and footwear suitable for rough and potentially wet terrain.

Meeting point: The Model Reception at 7.30pm

Special thanks to AVA Systems Limited for their support of this event.

Click here to view full invitation

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30 Jul. 2015

Family Fleadh at The Model

The Model is delighted to welcome back Fleadh Cheoil na hÉireann to Sligo where the focus is on a family friendly fleadh with a range of fun performances, screenings and workshops for children and families.

A special Informal Music Afternoon curated by Seamie O’Dowd kicks off the week long of events at The Model on Sunday August 9th from 1 to 3pm. As always with IMA, audiences can expect a mixture of classical and baroque music with a special focus on Irish composers and a healthy infusion of traditional music in honour of the fleadh. Tickets are €5 and children go free for the afternoon of music in the warm and bright environs of The Model Atrium.

Next up The Model will present selected highlights from the IFI Family film festival in association with the IFI and Access cinema. There will be a range of screenings and a createschool workshop for ages 8 to 12 where will work creatively, using new media technologies, to storyboard, script, film and produce their own trailer.

An Cosan Glas return following their series of sell out workshops at the fleadh in 2014. As Gaeilge, participants will make their own illuminated lanterns to take home or exhibit in The Model. Participants can join a one-day workshop or come back a second day and join in the fun of making larger installations.

At the weekend families can enjoy a mini céili suitable for all ages. Learn how to céili dance in a fun-filled environment on the afternoon of Friday August 14th. Join us for a family concert with Kíla on Saturday August 15th- an outstanding Irish band who play an exciting fusion of Irish and Eastern European music. Don’t miss their wonderfully interactive and eclectic music, which is simply brimming with energy and vitality.

Finally we have street theatre with Ouch Entertainment’s ‘Hot Potato’ – an outdoor spectacle featuring circus, theatre and potatoes! Join us for this utterly ridiculous and very funny celebration of some of the important features of our Irish heritage including Peig Sayers and the potato. Suitable for all ages.

For more information or to book any of our family events at The Model, please see www.themodel.ie or phone 071 -9141405

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5 Apr. 2015

Carmen Papalia and Kristen Lantz

Artists-in-residence Carmen Papalia and Kristen Lantz are here at the B.R.A to conduct a series of workshops. Check out what their plans are and feel free to come along to participate!

Tuesday, April 7 – Accessibility Auditing workshop with Carmen
13:00 – 17:00
Open to 15 participants, including Model staff & community members. Feel free to invite your family members, friends and community partners—all ages, embodiments, identities and learning styles are welcome! We’ll be discussing open models for access and will conduct an audit of the Model based on our subjective perceptions regarding what is accessible.

Wednesday, April 8 – “Redistributing your Access” talk & workshop
introduction with Kristin
15:00 – 17:00
Kristin will be sharing the work she has done in the past, the work that informs her practice and what she is currently up to in Vancouver. She will finish by proposing her project for her remaining time in residence—in which she will support staff in redistributing their
institutional access to a community member in a mutual exchange.

Thursday, April 9 – “Redistributing your Access” workshop with Kristin
14:00 – 17:00
Kristin will kick off this session by inviting Portland-based friends Travis Neel and Erin Charpentier to lead an exercise about collaborating with community from their Social Practice Workbook. The second half of this session will focus on the task of mapping your institutional access and identifying collaborators with whom to conduct an exchange.

Friday, April 10 – Individual “Redistributing your Access” project
check-in time with Kristin
10:00 – 17:00
Kristin will be scheduling one-on-one meetings with staff to support them in developing their exchange with a community member.

Monday, April 13 – installing statements from auditing workshop with
Carmen & Kristin
10:00 – 17:00
Write your sentiments on gallery walls and other related spaces with curatorial support from Carmen & Kristin.

Tuesday, April 14 – sharing & goodbye meeting with Carmen & Kristin
15:00 – 17:00

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