Liminal Spaces

Liminal Spaces

Artists: Felicity Clear, Michele Horrigan, Maurice O’Connell, Andy Parsons, Clea van der Grijn, Corban Walker The Model in collaboration with the Sligo IT is pleased to present Liminal Spaces. This ambitious exhibition represents a year-long collaboration between architects, artists, scholars and institutions in reimagining the potential of the North West

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Psychic Lighthouse

Psychic Lighthouse

Artists: Clodagh Emoe, Joachim Koester, Maria Loboda, Goshka Macuga, Susan MacWilliam, Deirdre McKenna, Stephen Rennicks Curated by Emer McGarry On the occasion of the 150th anniversary of WB Yeats, The Model is delighted to present Psychic Lighthouse, an exhibition that takes his interest in the practice of magic and the

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Bureau of Radical Accessibility

Building on our dynamic new vision, the Bureau of Radical Accessibility (B.R.A.) is a site-specific intervention in The Model foyer area. Staffed by Model employees and artists-in-residence, the B.R.A. is set up in direct defiance to the closed-off office spaces in order to meet, hold discussions and conduct interviews with

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Mark Clare - I Believe in You

Mark Clare: I Believe In You

The Model is thrilled to present a major solo exhibition of Dublin-based artist Mark Clare. The exhibition, I Believe in You, offers new insights into the work of Clare, who, in his role as a creative public agent, seeks to engage with and highlight unresolved incongruities within our societies, placing

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Into the Field

Into the Field

Odey Curbelo, Olafur Eliasson, Spencer Finch,Helen McMahon, Tumi Magnusson, William McKeown, Paula Stokes,Norbert Vollath, Jack B Yeats. Curated by Marie-Louise Blaney. “The world and the universe contain elements that cannot be articulated or contained using the codes, language and meaning with which we try to make sense of our lives.

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Susan Hiller

Susan Hiller

This summer The Model presents Susan Hiller’s first comprehensive Irish solo exhibition. Hiller is a highly influential artist and has created an outstanding and diverse body of work over the last 40 years. Often inspired by postcards, place-names, automatic writing and newspaper articles, Hiller probes questions of memory, loss, the

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