To Irish culture, the West of Ireland has become synonymous with mythology, legend, folklore and fairytales. The West was also the focus of a pursuit that was central to Irish culture for much of the 20th century: the need to discover, define or construct an authentic national identity. From Malin

This is the first solo exhibition by German artist Tilo Schulz in Ireland, the exhibition project itself is a response by Schulz to Sligo as an environment. The artist develops means to combine his sculptural project with concerns he has with today’s migrations of people within Europe. Altogether, the project

Lebanese artist and theatre director Rabih Mroué has taken the art world by storm. His 2012 film, The Pixalated Revolution, powerfully represents the people’s resistance in present-day Syria through an analysis of mobile phone images and videos taken by Syrian civilians. Mroué was the recipient of the 2010 Spalding Gray

This exhibition will look at the circus as a metaphor in the work of Jack B Yeats. Throughout his 70 year painting career, Yeats expressed themes of mental illness, loneliness, political and social change, pacifism, cruelty, racism and grief in his portrayal of circus life, and of the clown in

This unique exhibition project involves five artists invited to respond to a chapter in the book, The Museum of Innocence by Nobel Prize winner, Orhan Pamuk. Published in 2010, The Museum of Innocence is an elaborate tale of love, unrequited and otherwise, taking place in a politically shifting Istanbul of

The Model is delighted to present Irish Women Artists of the Twentieth Century. The Niland Collection holds a considerable amount of work by key Irish women artists and when looked at together, these works provide a comprehensive survey of the changing themes and practices of Irish female artists throughout the